Staff from the Old Manse, in Concord, MA read passages from Ralph Waldo Emerson’s essay, Nature, which he wrote while living at the Old Manse in 1836.
It’s an especially relevant point of view right now, as we face what could be one of the longest, most upsetting winters in memory. It isn’t just grey skies and frost this time around; it’s also the heady heartache of an ongoing quarantine. (Inside Hook)
The city is a lie that we tell ourselves. The crux of this lie is that we can separate human life from the environment, using concrete, glass, steel, maps, planning and infrastructure to forge a space apart. Disease, dirt, wild animals, wilderness, farmland and countryside are all imagined to be essentially outside, forbidden and excluded. (Aeon.co)
An old man bending I come among new faces,
Years looking backward resuming in answer to children,
Come tell us old man, as from young men and maidens that love me,
(Arous’d and angry, I’d thought to beat the alarum, and urge relentless war,
But soon my fingers fail’d me, my face droop’d and I resign’d myself,
To sit by the wounded and soothe them, or silently watch the dead;)
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave;)
Now be witness again, paint the mightiest armies of earth,
Of those armies so rapid so wondrous what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements or sieges tremendous what deepest remains?
O maidens and young men I love and that love me,
What you ask of my days those the strangest and sudden your talking recalls,
Soldier alert I arrive after a long march cover’d with sweat and dust,
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful charge,
Enter the captur’d works—yet lo, like a swift running river they fade,
Pass and are gone they fade—I dwell not on soldiers’ perils or soldier’s joys,
(Both I remember well—many of the hardships, few the joys, yet I was content.)
But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
With hinged knees returning I enter the doors, (while for you up there,
Whoever you are, follow without noise and be of strong heart.)
Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground after the battle brought in,
Where their priceless blood reddens the grass the ground,
Or to the rows of the hospital tent, or under the roof’d hospital,
To the long rows of cots up and down each side I return,
To each and all one after another I draw near, not one do I miss,
An attendant follows holding a tray, he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied, and fill’d again.
I onward go, I stop,
With hinged knees and steady hand to dress wounds,
I am firm with each, the pangs are sharp yet unavoidable,
One turns to me his appealing eyes—poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.
On, on I go, (open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand tear not the bandage away,)
The neck of the cavalry-man with the bullet through and through I examine,
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard,
(Come sweet death! be persuaded O beautiful death!
In mercy come quickly.)
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood,
Back on his pillow the soldier bends with curv’d neck and side falling head,
His eyes are closed, his face is pale, he dares not look on the bloody stump,
And has not yet look’d on it.
I dress a wound in the side, deep, deep,
But a day or two more, for see the frame all wasted and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet-wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me holding the tray and pail.
I am faithful, I do not give out,
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand, (yet deep in my breast a fire, a burning flame.)
Thus in silence in dreams’ projections,
Returning, resuming, I thread my way through the hospitals,
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night, some are so young,
Some suffer so much, I recall the experience sweet and sad,
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)
The natural historian is not a fisherman who prays for cloudy days and good luck merely; but as fishing has been styled “a contemplative man’s recreation,” introducing him profitably to woods and water, so the fruit of the naturalist’s observations is not in new genera or species, but in new contemplations still, and science is only a more contemplative man’s recreation.
Henry David Thoreau, A Week on the Concord and Merrimack Rivers
I was far from immune to this essay. I underlined “the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.” But the more I looked back on it, the more I began to wrestle with the essay’s blind spot. I didn’t immediately see it, because the blind spot was also my own.
The entwined roots of Indian rubber trees form bridges that—unlike steel structures—grow more durable with time. (National Geographic)
What the philosopher Marcus Aurelius believed about masculinity.